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Attali, Jacques. Noise:
The Political Economy of Music. Minneapolis: University of Minnesota Press,
Bailey, Derek. Improvisation: Its Nature and Practice in Music. [s.l.]: Da Capo, 1993.
Emmerson, Simon, editor.
Music, Electronic Media and Culture. Burlington, VT: Ashgate Publishing Company,
Hebdidge, Dick. Subculture:
The Meaning of Style. New York: Routledge, 1979 (2001).
Russolo, Luigi. The Art of Noises (1913).
Shapiro, Peter (ed.). Modulations: A History of Electronic Music. New York: Caipirinha Productions, Inc., 2000.
Toop, David. Ocean of
Sound. London: Serptent's Tail, 1995.
Use/abuse of technology in the production of music/sound
Sjögren, Klas. Mego Interview. (Interview with Peter Rehberg, Christian Fennesz, and Ramon Bauer.)
Weidenbaum, Marc. A Conversation with Markus Popp, of Oval and Microstoria.
Music as information/communication
Cardwell, Paul. "The Prophet of Sound." Fortean Times 145 (May 2001): 40-45.
Gfeller, K.E. "Music as communication." In R.F.Unkefer (ed.) Music therapy in the treatment of adults with mental disorders: Theoretical bases and clinical interventions. New York: Schirmer, 1990.
Lull, James, (ed.). Popular
Music and Communication. Newbury Park, CA: SAGE Publications, 1992.
Technology and the creative arts
Brown, Janelle. "The Music Revolution Will Not Be Digitized."
Eng, Paul. "Software to Silence Music Pirates."
Hayward, Philip (ed.). Culture, Technology & Creativity in the Late Twentieth Century. London : John Libbey, 1990.
Paton, Christoper Ann. "Preservation
Re-Recording of Audio Recordings in Archives: Problems, Priorites, Technologies,
and Recommendations." The American Archivist, 61(1998): 188-219.
Reichhardt, Jaisa (ed.). Cybernetic Serendipity. London: Studio International, 1968.
Digital image collections
Hoffman, Barbara (ed.).
Digital Images and Image Collections in the New Media. London: Kluwer
Law International, 1999.
Web exhibit clearinghouses